Possible ARRIRAW plugin for Final Cut Pro X 10.4 and Future
Posted: Mon Dec 18, 2017 7:07 am
Hello,
I understand that Arri Camera is the gold standard in the filmmaking Industry. It can be very subjective among Directors and DOP. But that is not the topic that I am proposing.
I love the the looks of how shots are produced from Arri Camera. As an independent filmmaker, I would love to access and process ARRIRAW right in one single tool.
I understand that there are various tool that can act as single workflow right from editing to colour-grading, example DaVinci Resolve. Which is great. A tool should not hinder a user trying to tell a story in the best possible way.
There have been numerous debate of FCPX. But again that is not the topic.
I use premiere, resolve and as well as FCPX. I love FCPX. It is fast, clean and does the job in no time.
Companies like RED offers a "Red Apple Workflow Installer"
https://www.red.com/downloads/5340f90826465a7c2b000338 so that FCPX can read REDCODE RAW.
There are also third party plugin like Phantom Cine Toolkit from http://www.gluetools.com/products_phantom.html that can read Phantom Flex RAW files.
Apple now list them under Camera Plugins.
https://www.apple.com/final-cut-pro/res ... ecosystem/
I also completely understand that users would say if you want edit footages natively from ARRI on FCPX, one should use Prores 4444 or its variants. Yes I completely agree. It is simple, fast and straightforward.
But any ARRI user who uses FCPX as one of their editing workflow or even their primary workflow, they will completely appreciate editing ARRIRAW natively in FCPX, I don't think Apple will be the one implemented ARRIRAW into FCPX. I strongly believe if there is any kind of support of ARRIRAW in FCPX it should come from ARRI.
So, on behalf of the all the ARRI Fans and user, I would I would like to ask ARRI to develop some kind of plugin where FCPX can read it like how RED does it.
Now that iMAC Pro is here and future Mac Pro is around the corner, it make perfect sense for ARRI to make this happen.
I really appreciate if the ARRI development team takes this request seriously and develop this plugin.
Thank You.
I understand that Arri Camera is the gold standard in the filmmaking Industry. It can be very subjective among Directors and DOP. But that is not the topic that I am proposing.

I understand that there are various tool that can act as single workflow right from editing to colour-grading, example DaVinci Resolve. Which is great. A tool should not hinder a user trying to tell a story in the best possible way.
There have been numerous debate of FCPX. But again that is not the topic.

Companies like RED offers a "Red Apple Workflow Installer"
https://www.red.com/downloads/5340f90826465a7c2b000338 so that FCPX can read REDCODE RAW.
There are also third party plugin like Phantom Cine Toolkit from http://www.gluetools.com/products_phantom.html that can read Phantom Flex RAW files.
Apple now list them under Camera Plugins.
https://www.apple.com/final-cut-pro/res ... ecosystem/
I also completely understand that users would say if you want edit footages natively from ARRI on FCPX, one should use Prores 4444 or its variants. Yes I completely agree. It is simple, fast and straightforward.

But any ARRI user who uses FCPX as one of their editing workflow or even their primary workflow, they will completely appreciate editing ARRIRAW natively in FCPX, I don't think Apple will be the one implemented ARRIRAW into FCPX. I strongly believe if there is any kind of support of ARRIRAW in FCPX it should come from ARRI.
So, on behalf of the all the ARRI Fans and user, I would I would like to ask ARRI to develop some kind of plugin where FCPX can read it like how RED does it.
Now that iMAC Pro is here and future Mac Pro is around the corner, it make perfect sense for ARRI to make this happen.
I really appreciate if the ARRI development team takes this request seriously and develop this plugin.
Thank You.